A Grand Unified Theory of YouTube and MySpace
Both YouTube and MySpace fit the textbook definition of Web 2.0, that hypothetical next-generation Internet where people contribute as easily as they consume.
There are two design requirements for technology meant for the masses. First, you need to automate all the techie parts so people can just press Play. To watch television online, I shouldn't have to install extra video software, figure out my bandwidth setting (100K? 300K?), and sign up for an account with the player's maker. Second, Web moguls shouldn't presume to foresee what 100 million people will want to do with their site. I'm one of many who stopped using Google's Orkut social network because its hardwired page designs made everyone look like they were there to find a date and/or a job.
The guys behind YouTube hit the sweet spot. Most important, they made it head-slappingly easy to publish and play video clips by handling the tricky parts automatically. Given up on BitTorrent because it feels like launching a mission to Mars? If you've sent an e-mail attachment, you've got the tech skills to publish on YouTube.
MySpace isn't that much easier to use than Friendster, or than other shared-user-content sites like Flickr (photo sharing), del.icio.us (bookmarks), or Digg (tech news). But it mixes multiple publishing models—blogs, photos, music, videos, friend networks—into one personal space. Most important, it doesn't presume to know what your goals are.
I think MySpace's popularity has to do with its puppylike accessibility. A typical page looks like something a Web-enthralled high schooler might have put up in 1996, but with more pics and a soundtrack. I agree with design guru Jesse James Garrett, who says the site's untrained layout sends a "we're just like you" message to newcomers.